| dc.contributor.author | Klangwisan, Y | en_NZ |
| dc.date.accessioned | 2022-02-21T01:21:06Z | |
| dc.date.available | 2022-02-21T01:21:06Z | |
| dc.date.copyright | 2022-02-01 | en_NZ |
| dc.identifier.citation | The Bible and Critical Theory, Vol 17 (2), pp. 21-32. | |
| dc.identifier.issn | 1832-3391 | en_NZ |
| dc.identifier.uri | http://hdl.handle.net/10292/14929 | |
| dc.description.abstract | This essay draws together the Song of Songs and Mary Shelly’s Frankenstein in order to engage in a comparative reading, one text alongside the other. The theoretical frame that holds this rereading is Cixous’s school of poetic thinking-writing: écriture féminine. The contribution this essay makes to studies of the Song of Songs is in its problematising of divine love and critical emphasis on its mortality within a discursive and eclectic world of texts, primarily Frankenstein, but also, Paradise Lost, Genesis, The Book of Promethea, and Philosophy of the Boudoir. | |
| dc.publisher | Newcastle University | en_NZ |
| dc.relation.uri | https://www.bibleandcriticaltheory.com/issues/vol-17-no-2-fall-winter-2021/vol-17-no-2-2021-on-reading-love-in-frankenstein-and-the-song-of-songs-yael-cameron/ | en_NZ |
| dc.rights | © 2022 The Bible & Critical Theory. This work is licensed under a Creative Commons Attribution-Non-Commercial 4.0 International License. | |
| dc.subject | Frankenstein; Mary Shelley; Cixous | |
| dc.title | On Reading Love in Frankenstein and the Song of Songs | en_NZ |
| dc.type | Journal Article | |
| dc.rights.accessrights | OpenAccess | en_NZ |
| aut.relation.articlenumber | 2 | en_NZ |
| aut.relation.endpage | 32 | |
| aut.relation.issue | 2 | en_NZ |
| aut.relation.pages | 11 | |
| aut.relation.startpage | 21 | |
| aut.relation.volume | 17 | en_NZ |
| pubs.elements-id | 449042 | |
| aut.relation.journal | The Bible and Critical Theory | en_NZ |
