On Reading Love in Frankenstein and the Song of Songs

Date
2022-02-01
Authors
Klangwisan, Y
Supervisor
Item type
Journal Article
Degree name
Journal Title
Journal ISSN
Volume Title
Publisher
Newcastle University
Abstract

This essay draws together the Song of Songs and Mary Shelly’s Frankenstein in order to engage in a comparative reading, one text alongside the other. The theoretical frame that holds this rereading is Cixous’s school of poetic thinking-writing: écriture féminine. The contribution this essay makes to studies of the Song of Songs is in its problematising of divine love and critical emphasis on its mortality within a discursive and eclectic world of texts, primarily Frankenstein, but also, Paradise Lost, Genesis, The Book of Promethea, and Philosophy of the Boudoir.

Description
Keywords
Frankenstein; Mary Shelley; Cixous
Source
The Bible and Critical Theory, Vol 17 (2), pp. 21-32.
DOI
Rights statement
© 2022 The Bible & Critical Theory. This work is licensed under a Creative Commons Attribution-Non-Commercial 4.0 International License.