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dc.contributor.authorKlangwisan, Yen_NZ
dc.date.accessioned2022-02-21T01:21:06Z
dc.date.available2022-02-21T01:21:06Z
dc.date.copyright2022-02-01en_NZ
dc.identifier.citationThe Bible and Critical Theory, Vol 17 (2), pp. 21-32.
dc.identifier.issn1832-3391en_NZ
dc.identifier.urihttp://hdl.handle.net/10292/14929
dc.description.abstractThis essay draws together the Song of Songs and Mary Shelly’s Frankenstein in order to engage in a comparative reading, one text alongside the other. The theoretical frame that holds this rereading is Cixous’s school of poetic thinking-writing: écriture féminine. The contribution this essay makes to studies of the Song of Songs is in its problematising of divine love and critical emphasis on its mortality within a discursive and eclectic world of texts, primarily Frankenstein, but also, Paradise Lost, Genesis, The Book of Promethea, and Philosophy of the Boudoir.
dc.publisherNewcastle Universityen_NZ
dc.relation.urihttps://www.bibleandcriticaltheory.com/issues/vol-17-no-2-fall-winter-2021/vol-17-no-2-2021-on-reading-love-in-frankenstein-and-the-song-of-songs-yael-cameron/en_NZ
dc.rights© 2022 The Bible & Critical Theory. This work is licensed under a Creative Commons Attribution-Non-Commercial 4.0 International License.
dc.subjectFrankenstein; Mary Shelley; Cixous
dc.titleOn Reading Love in Frankenstein and the Song of Songsen_NZ
dc.typeJournal Article
dc.rights.accessrightsOpenAccessen_NZ
aut.relation.articlenumber2en_NZ
aut.relation.endpage32
aut.relation.issue2en_NZ
aut.relation.pages11
aut.relation.startpage21
aut.relation.volume17en_NZ
pubs.elements-id449042
aut.relation.journalThe Bible and Critical Theoryen_NZ


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