Show simple item record

dc.contributor.advisorFrommherz, Gudrun
dc.contributor.authorYuan, Ning
dc.date.accessioned2011-07-15T03:49:03Z
dc.date.available2011-07-15T03:49:03Z
dc.date.copyright2010
dc.date.issued2011-07-15
dc.identifier.urihttp://hdl.handle.net/10292/1483
dc.description.abstractHistorically, cut-out animation has been overshadowed by mass-produced cel animation made in Hollywood and Japan. There are historical and production-related reasons that have led to the under-appreciation of this animation form. However, cut-out animation comes with unique aesthetics and narrative characteristics that are not normally found in dominant cel animation. These special qualities deserve to be recognized and re-introduced. This research analyzes the genre-specific characteristics of cut-out animation with the goal to preserve and to further develop this animation form via a digital workflow. Findings of this study suggest that most of the characteristics of traditional cut-out animation can be preserved, and even improved, through a careful digital transition from analogue to digital production design.
dc.language.isoenen_NZ
dc.publisherAuckland University of Technology
dc.subjectCut-out animation
dc.subjectRemediation
dc.titleProduction design for traditional cut-out animation: digital remediation of genre-specific aesthetics
dc.typeThesis
thesis.degree.grantorAuckland University of Technology
thesis.degree.levelMasters Theses
thesis.degree.nameMaster of Communication Studies
dc.rights.accessrightsOpenAccess
dc.date.updated2011-07-15T03:46:33Z


Files in this item

Thumbnail
Thumbnail
Thumbnail
Thumbnail
Thumbnail
Thumbnail
Thumbnail
Thumbnail
Thumbnail
Thumbnail
Thumbnail
Thumbnail
Thumbnail
Thumbnail
Thumbnail
Thumbnail
Thumbnail
Thumbnail
Thumbnail
Thumbnail
Thumbnail
Thumbnail
Thumbnail
Thumbnail

This item appears in the following Collection(s)

Show simple item record