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dc.contributor.advisorIngs, Welby
dc.contributor.advisorMcNeill, Hinematau
dc.contributor.authorSheehan, Maree
dc.date.accessioned2020-04-09T02:12:40Z
dc.date.available2020-04-09T02:12:40Z
dc.date.copyright2020
dc.identifier.urihttp://hdl.handle.net/10292/13262
dc.description.abstractThis PhD study interpreted and represented the multidimensionality of wāhine Māori (Māori women) through audio-portraiture. In so doing, it demonstrated how the physically accountable (recollection, opinion, environmental sound and music) might be merged with the esoteric [wairua (spirit) and mauri (life-force)], to create resonant, communicable, sonic depictions of identity. The three portraits in the study disrupted a largely visual concept of portraiture that was imported into Aotearoa/New Zealand during the process of colonisation. The work demonstrated how a sound designer can utilise emerging, 360-immersive and binaural sound-capture technologies in the creation of portraits that communicate unique renegotiations of space and time.en_NZ
dc.language.isoenen_NZ
dc.publisherAuckland University of Technology
dc.subjectSounden_NZ
dc.subjectMāorien_NZ
dc.subjectWomenen_NZ
dc.subjectWahineen_NZ
dc.subjectIdentityen_NZ
dc.subjectAudio portraitureen_NZ
dc.subjectAudioen_NZ
dc.subjectPortraitureen_NZ
dc.subjectBinauralen_NZ
dc.subjectImmersive sounden_NZ
dc.titleThe Sound of Identity Interpreting the Multi-dimensionality of Wāhine Māori Through Audio Portraitureen_NZ
dc.typeThesisen_NZ
thesis.degree.grantorAuckland University of Technology
thesis.degree.levelDoctoral Theses
thesis.degree.nameDoctor of Philosophyen_NZ
dc.rights.accessrightsOpenAccess
dc.date.updated2020-04-09T00:45:35Z


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