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dc.contributor.advisorMcIntyre, Simon
dc.contributor.advisorBoberg, Ingrid
dc.contributor.authorBolima, Andrea
dc.date.accessioned2020-02-21T01:44:50Z
dc.date.available2020-02-21T01:44:50Z
dc.date.copyright2020
dc.identifier.urihttp://hdl.handle.net/10292/13153
dc.description.abstractSensitive Bodies is a practice-led research project investigating how a work of art emerges from the mediation between stimulus and response. It focuses on how the physical properties that are external to a sensitive body are activated and how painting can reveal this process. This project explores how the use of colour can uncover the different conditions in which the body experiences an affective response during the process of painting. This research aims to investigate the dynamic between the spatial-temporal relations within a process-driven aesthetic, where structural elements begin to materialise from the visual qualities of experience and materiality of paint. The book Francis Bacon: Logic of Sensation by French Philosopher Gilles Deleuze has been central in this research. It is through a Deleuzean filter of colour and sensation that I embark on this exploration.en_NZ
dc.language.isoenen_NZ
dc.publisherAuckland University of Technology
dc.subjectPractice-leden_NZ
dc.subjectStudio-baseden_NZ
dc.subjectDeleuzeen_NZ
dc.subjectColouren_NZ
dc.subjectAffecten_NZ
dc.subjectSensationen_NZ
dc.subjectPaintingen_NZ
dc.titleSensitive Bodiesen_NZ
dc.typeExegesisen_NZ
thesis.degree.grantorAuckland University of Technology
thesis.degree.levelMasters Theses
thesis.degree.nameMaster of Visual Artsen_NZ
dc.rights.accessrightsOpenAccess
dc.date.updated2020-02-20T02:35:35Z


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