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dc.contributor.advisorJervis, Ian
dc.contributor.advisorMcIntyre, Simon
dc.contributor.authorHamilton, Struan
dc.date.accessioned2019-01-29T20:48:32Z
dc.date.available2019-01-29T20:48:32Z
dc.date.copyright2019
dc.identifier.urihttp://hdl.handle.net/10292/12204
dc.description.abstractThis practice-led research explores creative opportunities within fine art printmaking. In the context of my own practice, it investigates how new possibilities might emerge from the interplay between a technically precise and nuanced medium and an exploration of creative approaches within it – approaches not tied down by preconceptions of technical rectitude. The flux and distinction between these modalities of approach are used to activate my work by opening new questions for exploration. In particular, the project explores how chance events and extemporaneous movements generate possibilities that are unconstrained by disciplinary conventions, languages, processes or techniques. The capacity of happenstance to suggest possibilities and nuanced difference is explored as the focus for activation of a creative impetus, as I negotiate a path between correctness and opportunism, seeking a vitality for my practice.en_NZ
dc.language.isoenen_NZ
dc.publisherAuckland University of Technology
dc.subjectPrintmakingen_NZ
dc.subjectChanceen_NZ
dc.subjectSerendipityen_NZ
dc.subjectNontopiaen_NZ
dc.subjectPhoto intaglioen_NZ
dc.subjectCyanotypeen_NZ
dc.titleShifting Registration: an Exploration of Printmaking and Possibilitiesen_NZ
dc.typeExegesisen_NZ
thesis.degree.grantorAuckland University of Technology
thesis.degree.levelMasters Theses
thesis.degree.nameMaster of Visual Artsen_NZ
dc.rights.accessrightsOpenAccess
dc.date.updated2019-01-29T19:45:38Z


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