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dc.contributor.advisorJervis, Ian
dc.contributor.advisorBoberg, Ingrid
dc.contributor.authorLyman, Abbey
dc.date.accessioned2019-01-29T18:38:45Z
dc.date.available2019-01-29T18:38:45Z
dc.date.copyright2019
dc.identifier.urihttp://hdl.handle.net/10292/12202
dc.description.abstractThis project explores how a relationship between consonance and dissonance can operate as a dynamic interplay that is constantly at work during the process of painting. It also explores how this interaction operates as a constantly shifting aesthetic territory that is central to the life of my practice. This comes from questioning how my decision-making processes accommodate incongruent qualities that work together to somehow open up possibilities. The project looks at the relationship between a deeply rooted sense of order, the disruptive qualities that are continually emerging in the painting, and how this dynamic is used positively in the art to prevent the work from falling into a passive state of resolution.en_NZ
dc.language.isoenen_NZ
dc.publisherAuckland University of Technology
dc.subjectPaintingen_NZ
dc.subjectAestheticen_NZ
dc.subjectArten_NZ
dc.subjectMarginalen_NZ
dc.titlePainting: Adventures in a Marginal Aestheticen_NZ
dc.typeExegesisen_NZ
thesis.degree.grantorAuckland University of Technology
thesis.degree.levelMasters Theses
thesis.degree.nameMaster of Visual Artsen_NZ
dc.rights.accessrightsOpenAccess
dc.date.updated2019-01-28T22:35:47Z


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