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dc.contributor.advisorIngs, Welby
dc.contributor.advisorHo, King Tong
dc.contributor.authorChen, Chen
dc.date.accessioned2018-07-19T23:29:12Z
dc.date.available2018-07-19T23:29:12Z
dc.date.copyright2018
dc.identifier.urihttp://hdl.handle.net/10292/11737
dc.description.abstractThis practice-led, artistic thesis develops a corpus of three film poems using the Xiang system (a philosophical and aesthetic system adapted from Chinese poetry) as both the central creative strategy and methodology to heighten poetic thinking within practice. This approach becomes a mediator between film poetry and the researcher as a lyrically reflective practitioner. The project also explores menglong as an artistic and narrative device in communicating emotion, meaning and lyrical nuance. In exploring these phenomena, the thesis draws inspiration from the work of the Tang dynasty poet Shangyin Li. Significantly, it considers the potential application in film poetry of the restraint and delicacy that is indicative of the Xiang system.en_NZ
dc.language.isoenen_NZ
dc.publisherAuckland University of Technology
dc.subjectFilm poetryen_NZ
dc.subjectChinese poetryen_NZ
dc.subjectYi Xiangen_NZ
dc.subjectLi Shangyinen_NZ
dc.subjectShort film makingen_NZ
dc.subjectChinese artistic researchen_NZ
dc.titleBright on the Grey Sea: Utilizing the Xiang System to Creatively Consider the Potentials of Menglong in Film Poetryen_NZ
dc.typeThesisen_NZ
thesis.degree.grantorAuckland University of Technology
thesis.degree.levelDoctoral Theses
thesis.degree.nameDoctor of Designen_NZ
dc.rights.accessrightsOpenAccess
dc.date.updated2018-07-18T23:30:37Z


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