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dc.contributor.advisorIngs, Welby
dc.contributor.authorRadić, Xavier
dc.date.accessioned2018-02-11T21:46:32Z
dc.date.available2018-02-11T21:46:32Z
dc.date.copyright2004
dc.identifier.urihttp://hdl.handle.net/10292/11218
dc.description.abstractThis project and accompanying exegesis consider the evolution of the Gay, nude male analogue photograph, bringing to the fore a personalised reflection on the work of Baron Wilhelm von Gloeden. It contexualizes and investigates (from a queer perspective) issues of the pose and gaze, and revisits some of Von Gloeden’s constructions and technological concerns. These issues are then creatively synthesized into the production of a contemporary nude, male calendar. The photographs use self-identifying gay men as models. The artwork explores the potential of a range of increasingly anachronistic technologies [cyanotype, letter press and treatments of the analogue negative] to produce a print-based artefact that reflects upon notions of male grace, obscurification and the gaze.en_NZ
dc.language.isoenen_NZ
dc.publisherAuckland University of Technology
dc.subjectMale nude in arten_NZ
dc.subjectPhotography of the nudeen_NZ
dc.subjectPhotography of menen_NZ
dc.subjectPhotographyen_NZ
dc.titleQueer reflections on Baron Wilhelm von Gloeden: A creative reconsideration of pose, gaze and techniqueen_NZ
dc.typeExegesisen_NZ
thesis.degree.grantorAuckland University of Technology
thesis.degree.nameMaster of Art and Designen_NZ
dc.rights.accessrightsOpenAccess


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