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dc.contributor.authorMazer, Sen_NZ
dc.contributor.authorPapesch, T Ren_NZ
dc.contributor.editorCleave, Pen_NZ
dc.date.accessioned2016-11-15T22:59:43Z
dc.date.available2016-11-15T22:59:43Z
dc.date.copyright2015en_NZ
dc.identifier.citationTe Kaharoa, vol.8(2), pp.105 - 118en_NZ
dc.identifier.issn1178-6035en_NZ
dc.identifier.urihttp://hdl.handle.net/10292/10167
dc.description.abstractThis talk represents the latest stage in our ongoing conversation. As with our previously performed public dialogues such as ‘Crossing the Cultural Divide’ in 2001and ‘Stages of Pōwhiri’ in 2008, we’re staking positions that are to some degree more contrary than we might hold in private (see Papesch and Mazer 2001 & 2010). We do this for the sake of argument, to have a bit of a play with thinking out loud in ways that you may, or may not, find acceptable, and as such perhaps to spark controversy, because we believe that conscious contentiousness can be cheerful and also genuinely productive of new ideas about the relationship between culture and performance.
dc.publisherTe Ara Poutama, AUT University
dc.relation.urihttp://www.tekaharoa.com/index.php/tekaharoa/article/view/193/148en_NZ
dc.rightsTe Kaharoa is a free-access, multi-disciplinary, refereed, e-journal focusing on indigenous Pacific issues.
dc.titleBut Can It Be Art? Kapa Haka As a Contemporary Indigenous Performance Practiceen_NZ
dc.typeJournal Article
dc.rights.accessrightsOpenAccessen_NZ
aut.relation.endpage118
aut.relation.issue2en_NZ
aut.relation.startpage105
aut.relation.volume8en_NZ
pubs.elements-id182831


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