Can spectators become co-authors in the process of a story narrative
| aut.embargo | No | en |
| aut.thirdpc.contains | No | |
| aut.thirdpc.permission | No | |
| aut.thirdpc.removed | No | |
| dc.contributor.advisor | Antonczak, Laurent | |
| dc.contributor.advisor | Ho, King To | |
| dc.contributor.author | Enning, Tang | |
| dc.date.accessioned | 2010-02-23T21:38:54Z | |
| dc.date.available | 2010-02-23T21:38:54Z | |
| dc.date.copyright | 2009 | |
| dc.date.issued | 2009 | |
| dc.date.updated | 2010-02-23T21:07:46Z | |
| dc.description.abstract | This project explores the areas of human perception and story narrative in moving images. Engaged by the research question, “Can spectators become co-authors in the process of a story narrative?”, the research focuses on exploring the co-existence and contradiction between the values of spectators and an author in a process of a narrative by developing a new potential narrative approach with multiple perspectives. I hypothesise that spectators could participate with the story narrative process as co-authors. My key method is to engage with spectators’ participation within a narration (story) by displaying story fragments across multiple screens simultaneously. The potential of having a story spread across multiple screens might bring further interest to authors to re-think the notion of a spectator and tell a story with multiple perspectives in a narrative process with spectators. In order to develop this project, I will use different approaches, such as Grounded Theory (Strauss & Corbin, 1998), Data Visualisation (Tufte, 1983), Action Research (Kemmis & McTaggart, 1988) and Heuristics (Moustakas, 1990), which I will explain in further details in each chapter of my exegesis. | |
| dc.identifier.uri | https://hdl.handle.net/10292/819 | |
| dc.language.iso | en | en |
| dc.publisher | Auckland University of Technology | |
| dc.rights.accessrights | OpenAccess | |
| dc.subject | Story narrative | |
| dc.subject | Moving image | |
| dc.subject | Cinema | |
| dc.subject | Animation | |
| dc.subject | Spectator | |
| dc.subject | Author | |
| dc.subject | Perception | |
| dc.subject | Co-author | |
| dc.subject | Multiple screens | |
| dc.title | Can spectators become co-authors in the process of a story narrative | |
| dc.type | Thesis | |
| thesis.degree.grantor | Auckland University of Technology | |
| thesis.degree.level | Masters Theses | |
| thesis.degree.name | Master of Art and Design |