The irreverent form
| aut.embargo | No | en_NZ |
| aut.thirdpc.contains | No | en_NZ |
| aut.thirdpc.permission | No | en_NZ |
| aut.thirdpc.removed | No | en_NZ |
| dc.contributor.advisor | Miles, Anna | |
| dc.contributor.advisor | McIntyre, Simon | |
| dc.contributor.author | Mills, Rohan Hartley | |
| dc.date.accessioned | 2013-11-25T03:33:18Z | |
| dc.date.available | 2013-11-25T03:33:18Z | |
| dc.date.copyright | 2013 | |
| dc.date.created | 2013 | |
| dc.date.issued | 2013 | |
| dc.date.updated | 2013-11-24T23:38:53Z | |
| dc.description.abstract | This is a practiced based research project that inquires into the language of contemporary abstract painting. My painting practice focuses on questions around the renewal and repetition of historical forms. Examining the re-calibration of everyday imagery into a studio context while delimiting previous concerns regarding painting technique, work ethic and the provisional. The objective in this investigation is to gain further understanding of my own studio methodology. I outline the processes and strategies that successfully generate painted forms with a relationship to current dialogues in abstract painting. | en_NZ |
| dc.identifier.uri | https://hdl.handle.net/10292/5982 | |
| dc.language.iso | en | en_NZ |
| dc.publisher | Auckland University of Technology | |
| dc.rights.accessrights | OpenAccess | |
| dc.subject | Painting | en_NZ |
| dc.subject | Contemporary At | en_NZ |
| dc.subject | Art | en_NZ |
| dc.title | The irreverent form | en_NZ |
| dc.type | Thesis | |
| thesis.degree.discipline | ||
| thesis.degree.grantor | Auckland University of Technology | |
| thesis.degree.level | Masters Theses | |
| thesis.degree.name | Master of Art and Design | en_NZ |