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dc.date.accessioned2020-10-22T23:40:54Z
dc.date.available2020-10-22T23:40:54Z
dc.date.copyright2020-10-09en_NZ
dc.identifier.citationDAT Journal, 5(3), 250-262. https://doi.org/10.29147/dat.v5i3.234
dc.identifier.issn2526-1789en_NZ
dc.identifier.urihttp://hdl.handle.net/10292/13738
dc.description.abstractThis article considers how experienced time can be perceived through manipulated photographic images. The investigation is carried out by a series of digital images whose content is renegotiated over time, while the subject of the photograph remains within the frame. The resulting duregraphs constitute an unstable space between a photographic composition and a moving image. The main objectives of the study are to question the power conventions in visualisation and to expand the way we can conceive of time as duration in digital photo-graphic images.en_NZ
dc.languagePortuguês (Brasil)
dc.publisherDAT Journalen_NZ
dc.relation.urihttps://datjournal.anhembi.br/dat/article/view/234en_NZ
dc.rightsCopyright © 2020 DAT Journal. Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License.
dc.subjectDurégraphsen_NZ
dc.subjectDurationen_NZ
dc.subjectPost Photographyen_NZ
dc.subjectPractice-led Researchen_NZ
dc.subjectTimeen_NZ
dc.titleDuregraph: A Study of Duration in the Post Photographic Imageen_NZ
dc.typeJournal Article
dc.rights.accessrightsOpenAccessen_NZ
dc.identifier.doi10.29147/dat.v5i3.234
dark.contributor.authorVan Vliet, Den_NZ
dark.contributor.authorMortensen Steagall, Men_NZ
aut.relation.articlenumber3en_NZ
aut.relation.endpage262
aut.relation.issueCuratorship, Exhibition Design and Museumen_NZ
aut.relation.pages12
aut.relation.startpage250
aut.relation.volume5en_NZ
pubs.elements-id392749
aut.relation.journalDAT Design Art and Technology Journalen_NZ


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